#it was fun to just write

[daisywords]

One of my biggest nitpicks in fiction concerns the feeding of babies. Mothers dying during/shortly after childbirth or the baby being separated form the mother shortly after birth is pretty common in fiction. It is/was also common enough in real life, which is why I think a lot of writers/readers don't think too hard about this. however. Historically, the only reason the vast majority of babies survived being separated from their mother was because there was at least one other woman around to breastfeed them. Before modern formula, yes, people did use other substitutes, but they were rarely, if ever, nutritionally sufficient.

Newborns can't eat adult food. They can't really survive on animal milk. If your story takes place in a world before/without formula, a baby separated from its mother is going to either be nursed by someone else, or starve.

It doesn't have to be a huge plot point, but idk at least don't explicitly describe the situation as excluding the possibility of a wetnurse. "The father or the great grandmother or the neighbor man or the older sibling took and raised the baby completely alone in a cave for a year." Nope. That baby is dead I'm sorry. "The baby was kidnapped shortly after birth by a wizard and hidden away in a secret tower" um quick question was the wizard lactating? "The mother refused to see or touch her child after birth so the baby was left to the care of the ailing grandfather" the grandfather who made the necessary arrangements with women in the neighborhood, right? right? OR THAT GREAT OFFENDER "A newborn baby was left on the doorstep and they brought it in and took care of it no issues" What Are You Going to Feed That Baby. Hello?

Like. It's not impossible, but arrangements are going to have to be made. There are some logistics.

[artist-rat]

fine dining at the blushing mermaid. with the boogieboys

[lgbtlunaverse]

Nothing will dispell the "the curtains were just blue" myth faster than writing something yourself, because the amount of pretentious symbolism i am putting in my silly little fanfics is ridiculous. I mean SO much with these words, literally every single one of them. This fic has twenty five typos and zero correct uses of punctuation but if there's curtains you bet your ass I put thought into what colour they were.

[hofudlaus]

also posting these two on their own :-) based on This post by @outpastthemoat

[magnusbae]

To illustrate this post by @mayahawkse I would like to visualize to you the difference:

A post in 2023:

A post in 2014:

A zoom out of the same post:

This is what a community looks like.

See how in 2023 almost all of the reblogs come from the OP, from their few hours/days in the tag search. Meanwhile in 2014 the % of reblogs from OP is insignificant, because most of the reblogs come from the reblogs within the fandom, within the micro-communities formed there. You didn't need to rely on tags, or search, or being featured. Because the community took care of you, made sure to pass the work between themselves and onto their blog and exposed their followers to it. It kept works alive for years.

It's not JUST the reblog/like ratio that causing this issue, it's the type of interaction people have. They're content with scrolling and liking the search engine, instead of actually having a reblogging relationship with other blogs in their community.

Anyways, if you want to see more content you like, the only true way to make it happen is to reblog it. Likes do not forward content in no way but making OP feel nice. Reblogs on the other hand make content eternal. They make it relevant, they make it exist outside of a fickle tumblr search that hardly works on the best of days.

If you want more of something, reblog it.

[ear-motif]

fanfic is so good bc the premise of some genres of fic are just inherently funny. I want these two grizzled crime drama protagonists to have some fucking fun for once, so they go to a water park. I dont care how i have to logic my way into them going there i dont care who has to drag them Theyre Going

[obsesssedblerd]

Smau: "I want you back." ☹️❤️‍🩹

The guys getting you back after a breakup. ♥️

(nanami, geto, choso, toji, sukuna, and gojo)

contains: angst w/ happy ending, fluff, a bit of crack

a/n: thank you all so much for 100 followers! here's a little treat. 🥰

[inkskinned]

we were sitting on the floor and i was cutting out tiny pictures to make a collage for a friend's birthday. you were on your phone and you laughed about something, and i was still in love with you then, so i asked what had you giggling.

"sorry. i was just..." you took a moment and went back to texting. "i was telling someone about how you're afraid of the dark."

i'm afraid of the dark because something bad happened. "oh." i felt a little slinky of shame crawl down my throat.

you glanced up, and maybe it showed on my face, because you rolled your eyes and held the phone to the side casually so i could see the group chat. "what? was it a secret?"

i looked down to the scissors in my hand. "i just..." no, it's not a secret. it just felt like something private, something serious. saying why would you tell someone that just feels like an accusation. it's unfair. i honestly am not even ashamed of it, it's just a fact about my person that i don't usually share.

what a strange experience. is this a human thing or a generational thing? for our grandparents: did they need to worry about how quickly someone can just... share your personal information? again, i didn't even really have a true objection. what could i say? i want any person in my life to feel they can be honest with their friends. it's not like i said don't tell anyone this.

i cut out another letter to complete the rainbow happy birthday, started hunting for the exclamation mark. i heard you sigh dramatically.

"don't make a big deal about this," you said.

this entire conversation was a pattern for us, and this was when we got to my least favorite part of the pattern. i would get my feelings hurt in some oblique not-technically-terrible way, and then it would be making a big deal about something. you'd get frustrated for me for being soft, but i was born soft. you knew i was soft when you pierced me. it's one of the things that made controlling me so easy.

"i'm not," i felt my voice crack. the question came without my wanting. "why are you guys talking about me?" and why are you saying that thing? why not like - i'm telling them how you're generous and kind and pretty.

you let out this low, tragic groan. "oh my god." you tossed the phone away from your body. "there, see? i just won't talk to them if you don't like it."

the rest of the hour went the way it always went, between us: i said i don't actually mind if you talk to your friends but -, you found a way to call my minor expression of discomfort "being dramatic." you got upset that i had been offended. i ended up apologizing, even though i hadn't actually done anything.

afterwards, you picked up the phone again. after texting for a little bit, you snorted. "okay," you said, "but it is kind of funny you're afraid of the dark. i mean, when you think about it."

[fishofthewoods]

I see a lot of people clowning on the people of Pelican Town for not repairing the community center themselves or clowning on Lewis for embezzling and. like. Those criticisms aren't entirely unfair. But I think instead of coming at it from a perspective of "why can't the townspeople do this" we should be asking "why and how can the farmer do this?"

Like. Think about it. The farmer arrives in Stardew Valley on the first day of spring. By the first day they're obviously different. By day five the spirits of the forest who haven't been seen by the townsfolk in years or generations are speaking to them. By the second week they've developed a rapport with the wizard that lives outside town.

In the spring they go foraging and find more than even Linus, who's spent so many years learning the ways of the valley. Maybe he knows, when he sees them walking back home. Maybe he looks at them and understands that they're different, chosen somehow.

In the summer they fish in the lakes and the ocean for hours on end, catching fish that even Willy's only ever heard of, fish that he thought were the stuff of legend. They pull up giants from the deep and mutated monstrosities from the sewers.

In the fall, their crops grow incredibly immense; pumpkins twice as tall as a person, big enough that someone could live inside. The farmer cuts it down with an axe without even batting an eye. Does Lewis wonder, when he checks the collection bin that night and finds it full to the brim with pumpkin flesh? What does he think? Does he even leave the money? Does he have the funds to pay the farmer millions of dollars for the massive amounts of wine they sell? Or is it someone--something--else entirely?

In the winter, the farmer delves into the mines. No one in Pelican Town has been down there in decades. No one in living memory has been to the bottom. The farmer gets there within the season. They return to the surface with stories of dwarven ruins and shadow people, stories they only tell to Vincent and Jas, whose retellings will be dismissed by the adults as flights of fancy. People walking by the entrance to the mines sometimes hear the farmer in there, speaking in a language no one can understand. Something speaks back.

The farmer speaks to the the wizard. They speak to the spirit of a bear inside a centuries-old stone. They speak to the shadow people and the dwarves, ancient enemies, and they try to mend the rift. They speak to the Junimos, ancient spirits of the forest and the river and the mountain. They taste the nectar of the stardrops and speak to the valley itself. They change Pelican Town, and they change the valley. Things are waking up.

And what does Evelyn think? She's the oldest person in the valley; she was here when the farmer's grandfather was young. (How old *is* she, anyway? She never seems to age. She doesn't remember the year she was born.) Does she see the farmer and think of their grandfather? Does she try to remember if he was like this too, strange and wild and given the gifts of the forest?

And does their grandfather haunt the valley? He haunts the farm, still there even after his death; his body died somewhere else, but his spirit could never stay away for long. Does Abigail, using her ouija board on a stormy night, almost drop the planchette when she realizes it's moving on its own? Does Shane, walking to work long before anyone else leaves their house, catch glimpses of a wispy figure floating through the town? Does the farmer know their grandfather came back to the place they both love so much?

Mr. Qi takes interest in the farmer. He's different, too; in a different way, maybe, but the principles are the same. They're both exceptional, and no matter what Qi says about it being hard work and dedication, they both know the truth: the world bends around the both of them, changing to fit their needs. Most people aren't visited by fairies or witches. Most people don't have meteorites crash in their yard. Most people couldn't chop down trees all day without a break or speak to bears and mice and frogs.

The farmer is different. The rules of the world don't work for them the way they work for everyone else. The farmer goes fishing and finds the stuff of fairy tales. The farmer goes mining and fights shadow beasts and flying snakes. The farmer looks at paths the townspeople walk every day and finds buried in the dirt relics of lost civilizations.

The farmer is a violent, irrepressible miracle, chosen by the valley and destined to return to it someday. Even if they'd never received the letter, they would've come home.

They always come home eventually.

[lucabyte]

monologue

[bonesmarinated]

Oh, baby, have you seen Amy tonight? 🔪

[dapper-lil-arts]

You should read The Princess and the Peasant it's really good lol

[foldingfittedsheets]

Before my beloved and I moved in together they were living with roommates in a place that didn't have a bathtub. Now, a reasonable person might conclude from this that baths would be out of the equation in a home with only one standing shower and no tub.

But these people weren't quitters. Naturopathic doctors and acupuncturists they were dedicated to treating their bodies well and one of the ways they liked to do that was hydrotherapy. Most people are familiar with this through things like polar bear plunges. You sit in a hot tub then jump in freezing water.

It's supposedly good for you and they were way into it. But again, no tub. They'd do hydro showers but it just wasn't the same. These people were not quitters, though. (One of them is the boob soap person, so it really isn't a surprise that she goes hard on everything). So they got what looked like two big metal old timey tubs but which were actually animal food troughs and set them up in the garage. They set up a water heater and god knows how they emptied the tub after, I think there was hoses involved? A pump maybe? I honestly can't remember. Anyway! Voila, hydrotherapy on demand.

I was not aware of this. So when I came over after a long day and my beloved said we should take a bath I was extremely puzzled. I only knew about the one shower. They showed me the garage tubs. I did want a bath and I wasn't really sure about the setup, but honestly I'll try anything once if only for the story, so I agreed.

Fun fact about me though. I haaaate being cold. I've been 0% body fat most of my life with skin barely keeping my bones enclosed. I'm always cold. My favorite activity at the time was sitting directly in front of space heaters. My shower temperatures turn me lobster red and make my beloved cringe. Willingly dunking myself into cold water is the antipathy of my entire deal.

On the night in question I happily submerged into the warm tank, pleasantly surprised by the big silly improvised tub. Which again was meant for livestock. My knees bumped companionably against my beloved as we soaked in the hot water. After a while they rose to go into the cold water. "You don't have to," they told me.

But I was haunted. I wouldn't be doing hydro if I just stayed in the warm tub. Maybe hydro was amazing. It has all these health benefits. I desperately didn't want to but I stood up with them. We were having this nice intimate evening in the garage, just us, I felt safe. I was gonna do it.

They stepped easily into the cold tub, dunking matter of factly into the frigid water. I went to step. I did. I really really tried. My foot went in and I started shrieking, my progress arrested by the total state of shock I entered when my warm toasty foot hit that smug arctic water tension. My beloved started laughing as my pitch ascended the deeper my foot went into the cold water.

I started loudly narrating my discomfort as my foot touched the bottom and I willed my other foot up to join it. "THIS IS VERY COLD," I yelled, "IT'S SO COLD I THINK I MIGHT DIE HOW ARE YOU JUST CASUALLY SITTING IN THIS FREEZING COLD WATER?! I'M DYING- I THINK I'M DYING! I'M DYING BUT WE'RE HERE, TOGETHER! I CAN DO THIS! I CAN DO THESE EVEN THOUGH IT'S SO COLD ALL MY MOLECULES HAVE COMPRESSED INTO A SOLID STATE!"

I ended up with both feet planted in the cold tub, water up to my shins, bellowing and panting while my beloved laughed so hard they couldn't breathe. I hunkered over the cold water, squatting like a frozen gargoyle.

My beloved was trying to psyche me up while I willed my body to obey me. In a sudden jerky drop like a puppet whose strings have been cut I plummeted my body into the cold and let out a shriek that I’m sure could have shattered glass and then leapt up out of the water at a speed relative to a rocket achieving space flight. I didn’t like it.

When we got back inside my beloved's roommates were collapsed on the ground with tears in the their eyes from how hard they'd been laughing. They and probably every neighbor down the block had heard my pterodactyl screeching and narration because the garage was not remotely soundproof.

[jamtamart]

the last disco

[tourettesdog]

I am begging people to be normal about completed fics, and in particular one shots.

I am begging people to stop demanding more from authors, and insisting that one shots need to be longer or have sequels.

I don't think yall understand how many fanfic authors are one more "where's the rest of it?" comment away from throwing out any plans they might have had to continue an idea.

Unless an author like specifically says they might write more for an idea, just-- assume something marked as completed is complete, and respect it as it stands, please.

[curlytsunamiart]

preview for a comic i'm working on, of a confrontation between miquella and messmer in the shadow keep throne room. please look foward to it

EDIT: the full comic is done!